Exit the metro station at Hatchobori and walk along the main road towards the Kamejima River. Just before the bridge take a right turn, you might end up in a narrow street where you will stumble upon a curious object – squashed between two housing blocks: an urban vertical forest. It is the Garden House, designed by Ryue Nishizawa.
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Tokyo. Time To Return
30 January 2018
words: Natalie Donat-Cattin
photos: Jian Yong Khoo
Close your eyes. If you do so you will hear the noise at the Shibuya Crossing and the smell of the sakura flowers in bloom in Shinjuku on an April’s day, while walking around Gyoen National Garden.
Close your eyes tighter. Do you feel the spatial tension? From the small labyrinth-streets of Nakano to the huge Roppongi’s skyscrapers, Tokyo paints the 21st century Japanese society on one single canvas. If you are willing to get lost in the city, do not stay on wider avenues. Follow less traced paths: you might find yourself turning the corner of a glass building to then end up on a narrow paved street, guarded by a series of human-animal-shaped sculptures. Suddenly everything is peaceful. Time has stalled. The only tinkle is that of the go-(y)en thrown in the name of hope (and luck!).
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What is the best house for an art museum if not art itself? With an open heart and bones of steel, the Pompidou Centre towers naked above the French roofs of the 4th arrondissement. Among them it stands out, an alien surrounded by mortals. A myriad of pipes wraps the back of the building: not to protect it but to make it work.
“The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown.” – René Magritte
Philosophers, scientists, artists, architects. These and many others are the prominent figures of the 18th century in France and Europe. Leading figures, whom with their thinking and charisma, are still remembered for their contribution to an epoch of political changes, renewed ideals and revolutionary discoveries, in a period of time stretching from the Age of Enlightenment to the French Revolution. During this epoch, the physical universe, no more alien and mysterious, finally begins to take shape and configuration, thanks to the excellence of Newton. This vibrant and evolving context creates the preconditions for the affirmation of man as an individual and as a thinker, aware of his abilities and means in a world of immense dimensions.
The Convent de la Tourette hovers weightlessly on a hill overlooking the nearby town, uncannily reminiscent of a temple atop the Athenian Acropolis. Visitors willing to make the pilgrimage are initially met with a visual field of low intrinsic interest – but the beauty of the architecture slowly reveals itself the more one looks.