SHARE THIS ARTICLE

Share on facebook
Facebook
Share on twitter
Twitter
Share on pinterest
Pinterest
Share on email
Email
JOURNAL / culture

In Praise Of Shadows. Jun’ichirō Tanizaki

7 February 2016

photo:  Jian Yong Khoo

“…what strikes the eye is the massive roof of tile or thatch and the heavy darkness that hangs beneath the eaves. Even at midday cavernous darkness spreads over all beneath the roof’s edge, making entryway, doors, walls, and pillars all but invisible.”

In Praise Of Shadows | Jun’ichirō Tanizaki

SHARE THIS ARTICLE

Share on facebook
Facebook
Share on twitter
Twitter
Share on pinterest
Pinterest
Share on email
Email
FURTHER READING / essays, ideas, photography and more!

London Aquatics Centre. A Solitary Wave

In the far east of London, stands majestic and solitary the London Aquatics Centre. In an almost inexistent context, it emerges from the flatness of the surroundings, like a solitary wave in the middle of the ocean. At first sight, its dynamic form amazes but then the question arises: would it be as beautiful within a context? Or is it this emptiness that enhances the building? “Space is meaningless without scale, containment, boundaries and direction”, writes Huxtable – so is the aquatic centre just a meaningless wonder?

Looking East. The Japanese Aesthetic

A cultural oddity, the sense of mysticism surrounding Japan has captivated us for generations; and in it we seek to decipher this elusive quality, of which is believed to somehow offer profound ‘answers’ to life’s toughest questions. This fascination is curiously unusual: with the ever-expanding wealth of knowledge available in the virtual environment, a culture so distant is instantaneously made accessible. The relentless flow of images and anecdotal accounts on mainstream media allows one to transport one’s self into a culture thousands of miles away. A fleeting immersion, which no doubt sows the seeds for preconceived notions and judgments.

Grace Farms. SANAA

The Grace Farms building, designed by SANAA nestles itself nicely into its context, offering various programmes for the community- all playfully placed under a long sinous roof.

Yayoi Kusama. Pumpkin Magic

Kusama Pumpkin, Naoshima – The pumpkin often has a connection with the magical world. In Cinderella, it turns into a beautiful white carriage, darting towards the dance. In the same way, it could easily be one of the strange and wonderful inhabitants of the Lewis Carroll world – out of scale, context and with no apparent purpose. If the pumpkin could talk it would ask nonsensical questions while giving absurd non-answers.

Tokyo. Time To Return

Tokyo – Close your eyes. If you do so you will hear the noise at the Shibuya Crossing and the smell of the sakura flowers in bloom in Shinjuku on an April’s day, while walking around Gyoen National Garden. Close your eyes tighter. Do you feel the spatial tension? From the small labyrinth-streets of Nakano to the huge Roppongi’s skyscrapers, Tokyo paints the 21st century Japanese society on one single canvas.

architasters / project by Natalie Donat-Cattin and Jian Yong Khoo. It is a platform for speculation and discussion, functioning as a complementary repository for their design work.