“La Tourette is in-situ cast concrete, and it reads as a singular structure in spite of its volumetric and formal complexities and apparently tectonic language. The monastery is suspended between earth and sky; it echoes the dark depths and gravity of the earth while reaching towards the sky, hovering weightlessly on its dense system of piloti. This building merges the opposing human dreams of flying and being buried in the earth…
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Grace Farms. SANAA
New Canaan, CT
photos: Jian Yong Khoo
The Grace Farms building, designed by SANAA nestles itself nicely into its context, offering various programmes for the community- all playfully placed under a long sinous roof.
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Kusama Pumpkin, Naoshima – The pumpkin often has a connection with the magical world. In Cinderella, it turns into a beautiful white carriage, darting towards the dance. In the same way, it could easily be one of the strange and wonderful inhabitants of the Lewis Carroll world – out of scale, context and with no apparent purpose. If the pumpkin could talk it would ask nonsensical questions while giving absurd non-answers.
La Tour Eiffel – Paris is an old romantic man. Two things distinguish him as french: a baguette under the arm and a revolutionary spirit in the chest. A bit Bohemian, a bit Jacobin, but with one motto: liberté, egualité, fraternité. Like all men – or all lovers I should say – he has two weaknesses: absinth and women. But it is known that every Casanova has one true love. Paris’ everlasting one is a lanky old lady with an iron soul.
What is the best house for an art museum if not art itself? With an open heart and bones of steel, the Pompidou Centre towers naked above the French roofs of the 4th arrondissement. Among them it stands out, an alien surrounded by mortals. A myriad of pipes wraps the back of the building: not to protect it but to make it work.
Parrish Art Museum, designed by Herzog & de Meuron sits in isolation among the meadows – its crisp simple form stands in contrast to the surrounding natural landscape.