The Ara Pacis was and is an altar to the greatness of Rome, an altar of ideals and hopes. Forgotten but rediscovered. Rebuilt but eradicated. Idolised but caged. Now it sits imprisoned behind white bars, while the citizens invoke freedom for it. Criticism resonates from every part of the capital, loud and clear not unlike most Italians.
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Grace Farms. SANAA
New Canaan, CT
photos: Jian Yong Khoo
The Grace Farms building, designed by SANAA nestles itself nicely into its context, offering various programmes for the community- all playfully placed under a long sinous roof.
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The power of a mirror lies in its simplicity. A single surface allowing for endless possibilities. Multiplication’s machine, illusions’ creator, reality’s extension are just some of its magical properties.
“Magic mirror, on the wall – who is the fairest one of all?”
Buildings by nature seek to dominate space. At the Salk Institute for Biological Studies, the experience is wholly different – in this isolated picturesque setting: space dominates building. At first sight, the architecture appears anonymous, sculptural and silent. Lost along the Californian coast, it is situated a stone’s throw away from San Diego in La Jolla. We can imagine it as an untouched gem in a post war scenario: a living ruin, capable of projecting worlds of its own.
In the far east of London, stands majestic and solitary the London Aquatics Centre. In an almost inexistent context, it emerges from the flatness of the surroundings, like a solitary wave in the middle of the ocean. At first sight, its dynamic form amazes but then the question arises: would it be as beautiful within a context? Or is it this emptiness that enhances the building? “Space is meaningless without scale, containment, boundaries and direction”, writes Huxtable – so is the aquatic centre just a meaningless wonder?
Architecture is the embodiment of the arts and sciences, a complex combination which results in an ambiguous whole. What once was just a means of shelter, has evolved into a means of which to communicate and express the ever evolving necessities of contemporary society. The demands of the people coupled with the zeitgeist of the period, more often than not, precipitate a prevailing architectural style, one with which the architects of the period rally to. Two centuries apart, Étienne-Louis Boullée and Louis Kahn, through their tireless re-examination of the discipline, have established profound ideologies on the nature of architecture, which remarkably allude to common principles.