Exit the metro station at Hatchobori and walk along the main road towards the Kamejima River. Just before the bridge take a right turn, you might end up in a narrow street where you will stumble upon a curious object – squashed between two housing blocks: an urban vertical forest. It is the Garden House, designed by Ryue Nishizawa.
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Guggenheim Museum. Frank Lloyd Wright
photos: Jian Yong Khoo
The Guggenheim Museum by Frank Lloyd Wright, an inverted zigurrat within the urban metropolis of Manhattan – the unconventional layout of the museum makes for a playful visual experience.
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Philosophers, scientists, artists, architects. These and many others are the prominent figures of the 18th century in France and Europe. Leading figures, whom with their thinking and charisma, are still remembered for their contribution to an epoch of political changes, renewed ideals and revolutionary discoveries, in a period of time stretching from the Age of Enlightenment to the French Revolution. During this epoch, the physical universe, no more alien and mysterious, finally begins to take shape and configuration, thanks to the excellence of Newton. This vibrant and evolving context creates the preconditions for the affirmation of man as an individual and as a thinker, aware of his abilities and means in a world of immense dimensions.
Buildings by nature seek to dominate space. At the Salk Institute for Biological Studies, the experience is wholly different – in this isolated picturesque setting: space dominates building. At first sight, the architecture appears anonymous, sculptural and silent. Lost along the Californian coast, it is situated a stone’s throw away from San Diego in La Jolla. We can imagine it as an untouched gem in a post war scenario: a living ruin, capable of projecting worlds of its own.
“The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown.” – René Magritte
The Rolex Learning Centre sprawls itself across a vast expanse of the EPFL campus, its striking undulations reminiscent of the nearby alps. The interior is a visual delight where artificial hills and valleys replace traditional partitions – prompting different kinds of occupation and spatial interactions.