The Grace Farms building, designed by SANAA nestles itself nicely into its context, offering various programmes for the community- all playfully placed under a long sinous roof.
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Convent de la Tourette. Le Corbusier
photos: Jian Yong Khoo
The Convent de la Tourette hovers weightlessly on a hill overlooking the nearby town, uncannily reminiscent of a temple atop the Athenian Acropolis. Visitors willing to make the pilgrimage are initially met with a visual field of low intrinsic interest – but the beauty of the architecture slowly reveals itself the more one looks.
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Teshima Art Museum by Ryue Nishizawa, an enigmatic structure which rests at the top of the hill to the adjacent rice terraces – nature, art and architecture coalesce to create an ethereal experience.
Parrish Art Museum, designed by Herzog & de Meuron sits in isolation among the meadows – its crisp simple form stands in contrast to the surrounding natural landscape.
The Rolex Learning Centre sprawls itself across a vast expanse of the EPFL campus, its striking undulations reminiscent of the nearby alps. The interior is a visual delight where artificial hills and valleys replace traditional partitions – prompting different kinds of occupation and spatial interactions.
A cultural oddity, the sense of mysticism surrounding Japan has captivated us for generations; and in it we seek to decipher this elusive quality, of which is believed to somehow offer profound ‘answers’ to life’s toughest questions. This fascination is curiously unusual: with the ever-expanding wealth of knowledge available in the virtual environment, a culture so distant is instantaneously made accessible. The relentless flow of images and anecdotal accounts on mainstream media allows one to transport one’s self into a culture thousands of miles away. A fleeting immersion, which no doubt sows the seeds for preconceived notions and judgments.