Walk up the steps, cross the pronaos, rush through the first room, enter the main courtyard and look up: you will be rendered speechless. The modern roof designed by Fosters and Partners hovers above you. 3312 glazing panels frame 3312 triangular slices of sky. This is the heart of the British Museum.
SHARE THIS ARTICLE
Parrish Art Museum. Herzog & de Meuron
Water Mill, NY
photos: Jian Yong Khoo
Parrish Art Museum, designed by Herzog & de Meuron sits in isolation among the meadows – its crisp simple form stands in contrast to the surrounding natural landscape.
SHARE THIS ARTICLE
The Barbican Centre – A place of connection, a place of transition between two different worlds: the street and the courtyard. The former, a reflection of everyday life. The latter, an image of the pleasure of stopping, sitting, observing and thinking. Two universes governed by opposing laws: that of motion and that of stillness.
If the essence of architecture – its intrinsic and determining constituent – is empty space, every man has experienced an archetypal feeling when visiting the Pantheon. Confined in an immense space, we can never embrace its entirety. Ignorant but curious, we marvel at how such a great dome can stand. Questions whose answers lie in subtle ploys: secrets buried within the structure and the material.
La Tour Eiffel – Paris is an old romantic man. Two things distinguish him as french: a baguette under the arm and a revolutionary spirit in the chest. A bit Bohemian, a bit Jacobin, but with one motto: liberté, egualité, fraternité. Like all men – or all lovers I should say – he has two weaknesses: absinth and women. But it is known that every Casanova has one true love. Paris’ everlasting one is a lanky old lady with an iron soul.
In Praise Of Shadows – “…what strikes the eye is the massive roof of tile or thatch and the heavy darkness that hangs beneath the eaves. Even at midday cavernous darkness spreads over all beneath the roof’s edge, making entryway, doors, walls, and pillars all but invisible.”