Palazzo del Lavoro – The building stood before us imposing and abandoned. A broken glass and multiple graffiti were evidence that many before us had violated its solitude. Right through a smashed window we penetrated into the concrete soul of the building. Here, an infinite space opened in front of us: a basilica of our time, a cathedral of architecture with no god or religion, a modern days’ ruin.
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Teshima Art Museum. Ryue Nishizawa
Teshima, Kagawa Prefecture
photos: Jian Yong Khoo
Teshima Art Museum by Ryue Nishizawa, an enigmatic structure which rests at the top of the hill to the adjacent rice terraces – nature, art and architecture coalesce to create an ethereal experience.
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In the far east of London, stands majestic and solitary the London Aquatics Centre. In an almost inexistent context, it emerges from the flatness of the surroundings, like a solitary wave in the middle of the ocean. At first sight, its dynamic form amazes but then the question arises: would it be as beautiful within a context? Or is it this emptiness that enhances the building? “Space is meaningless without scale, containment, boundaries and direction”, writes Huxtable – so is the aquatic centre just a meaningless wonder?
In Praise Of Shadows – “…what strikes the eye is the massive roof of tile or thatch and the heavy darkness that hangs beneath the eaves. Even at midday cavernous darkness spreads over all beneath the roof’s edge, making entryway, doors, walls, and pillars all but invisible.”
La Tour Eiffel – Paris is an old romantic man. Two things distinguish him as french: a baguette under the arm and a revolutionary spirit in the chest. A bit Bohemian, a bit Jacobin, but with one motto: liberté, egualité, fraternité. Like all men – or all lovers I should say – he has two weaknesses: absinth and women. But it is known that every Casanova has one true love. Paris’ everlasting one is a lanky old lady with an iron soul.
Water temple, designed by Tadao Ando, hides in the inland of Awaji Island. Despite its close proximity to the sea (only a 15 min walk) the building turns its back to the ocean to embrace the hillside. The road to reach it, is deserted and steep: a series of greenhouses and fields are the only panorama’s highlights.