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PHOTOGRAPHY / architecture

Teshima Art Museum. Ryue Nishizawa

Teshima, Kagawa Prefecture

photos:  Jian Yong Khoo

Teshima Art Museum by Ryue Nishizawa, an enigmatic structure which rests at the top of the hill to the adjacent rice terraces – nature, art and architecture coalesce to create an ethereal experience.

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FURTHER READING / essays, ideas, photography and more!

The Art Of Mirrors.

The power of a mirror lies in its simplicity. A single surface allowing for endless possibilities. Multiplication’s machine, illusions’ creator, reality’s extension are just some of its magical properties.

“Magic mirror, on the wall – who is the fairest one of all?”

Saint Peter’s Basilica. Scale, Power, Wealth

Progressing through the maze of columns, towards the centre of Bernini’s eclipse, we find ourselves in front of an imposing white wall, the Dover’s cliff of Rome: Saint Peter’s Basilica. Decorated to the last detail, it can only be compared to the English steep rock face for its whiteness and grandeur. In all other aspects, we can say that the craft of man has equaled if not surpassed the force of nature.

Nature Or Invention?

Philosophers, scientists, artists, architects. These and many others are the prominent figures of the 18th century in France and Europe. Leading figures, whom with their thinking and charisma, are still remembered for their contribution to an epoch of political changes, renewed ideals and revolutionary discoveries, in a period of time stretching from the Age of Enlightenment to the French Revolution. During this epoch, the physical universe, no more alien and mysterious, finally begins to take shape and configuration, thanks to the excellence of Newton. This vibrant and evolving context creates the preconditions for the affirmation of man as an individual and as a thinker, aware of his abilities and means in a world of immense dimensions.

London Aquatics Centre. A Solitary Wave

In the far east of London, stands majestic and solitary the London Aquatics Centre. In an almost inexistent context, it emerges from the flatness of the surroundings, like a solitary wave in the middle of the ocean. At first sight, its dynamic form amazes but then the question arises: would it be as beautiful within a context? Or is it this emptiness that enhances the building? “Space is meaningless without scale, containment, boundaries and direction”, writes Huxtable – so is the aquatic centre just a meaningless wonder?

Water Temple. A Found Ruin

Water temple, designed by Tadao Ando, hides in the inland of Awaji Island. Despite its close proximity to the sea (only a 15 min walk) the building turns its back to the ocean to embrace the hillside. The road to reach it, is deserted and steep: a series of greenhouses and fields are the only panorama’s highlights.

architasters / project by Natalie Donat-Cattin and Jian Yong Khoo. It is a platform for speculation and discussion, functioning as a complementary repository for their design work.