Progressing through the maze of columns, towards the centre of Bernini’s eclipse, we find ourselves in front of an imposing white wall, the Dover’s cliff of Rome: Saint Peter’s Basilica. Decorated to the last detail, it can only be compared to the English steep rock face for its whiteness and grandeur. In all other aspects, we can say that the craft of man has equaled if not surpassed the force of nature.
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Teshima Art Museum. Ryue Nishizawa
Teshima, Kagawa Prefecture
photos: Jian Yong Khoo
Teshima Art Museum by Ryue Nishizawa, an enigmatic structure which rests at the top of the hill to the adjacent rice terraces – nature, art and architecture coalesce to create an ethereal experience.
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“The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown.” – René Magritte
Philosophers, scientists, artists, architects. These and many others are the prominent figures of the 18th century in France and Europe. Leading figures, whom with their thinking and charisma, are still remembered for their contribution to an epoch of political changes, renewed ideals and revolutionary discoveries, in a period of time stretching from the Age of Enlightenment to the French Revolution. During this epoch, the physical universe, no more alien and mysterious, finally begins to take shape and configuration, thanks to the excellence of Newton. This vibrant and evolving context creates the preconditions for the affirmation of man as an individual and as a thinker, aware of his abilities and means in a world of immense dimensions.
Exit the metro station at Hatchobori and walk along the main road towards the Kamejima River. Just before the bridge take a right turn, you might end up in a narrow street where you will stumble upon a curious object – squashed between two housing blocks: an urban vertical forest. It is the Garden House, designed by Ryue Nishizawa.
Water temple, designed by Tadao Ando, hides in the inland of Awaji Island. Despite its close proximity to the sea (only a 15 min walk) the building turns its back to the ocean to embrace the hillside. The road to reach it, is deserted and steep: a series of greenhouses and fields are the only panorama’s highlights.