The Barbican Centre – A place of connection, a place of transition between two different worlds: the street and the courtyard. The former, a reflection of everyday life. The latter, an image of the pleasure of stopping, sitting, observing and thinking. Two universes governed by opposing laws: that of motion and that of stillness.
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Subversive Reality. Converted Objects
26 April 2018
images: Natalie Donat-Cattin
“The mind loves the unknown. It loves images whose meaning is unknown, since the meaning of the mind itself is unknown.”
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Tokyo – Close your eyes. If you do so you will hear the noise at the Shibuya Crossing and the smell of the sakura flowers in bloom in Shinjuku on an April’s day, while walking around Gyoen National Garden. Close your eyes tighter. Do you feel the spatial tension? From the small labyrinth-streets of Nakano to the huge Roppongi’s skyscrapers, Tokyo paints the 21st century Japanese society on one single canvas.
Teshima Art Museum by Ryue Nishizawa, an enigmatic structure which rests at the top of the hill to the adjacent rice terraces – nature, art and architecture coalesce to create an ethereal experience.
If the essence of architecture – its intrinsic and determining constituent – is empty space, every man has experienced an archetypal feeling when visiting the Pantheon. Confined in an immense space, we can never embrace its entirety. Ignorant but curious, we marvel at how such a great dome can stand. Questions whose answers lie in subtle ploys: secrets buried within the structure and the material.
Exit the metro station at Hatchobori and walk along the main road towards the Kamejima River. Just before the bridge take a right turn, you might end up in a narrow street where you will stumble upon a curious object – squashed between two housing blocks: an urban vertical forest. It is the Garden House, designed by Ryue Nishizawa.