Guggenheim Museum by Frank Lloyd Wright, an inverted zigurrat within the urban metropolis of Manhattan – the unconventional layout of the museum makes for a playful visual experience.
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Guggenheim Museum. Frank Lloyd Wright
photos: Jian Yong Khoo
The Guggenheim Museum by Frank Lloyd Wright, an inverted zigurrat within the urban metropolis of Manhattan – the unconventional layout of the museum makes for a playful visual experience.
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Teshima Art Museum by Ryue Nishizawa, an enigmatic structure which rests at the top of the hill to the adjacent rice terraces – nature, art and architecture coalesce to create an ethereal experience.
Water temple, designed by Tadao Ando, hides in the inland of Awaji Island. Despite its close proximity to the sea (only a 15 min walk) the building turns its back to the ocean to embrace the hillside. The road to reach it, is deserted and steep: a series of greenhouses and fields are the only panorama’s highlights.
Architecture is the embodiment of the arts and sciences, a complex combination which results in an ambiguous whole. What once was just a means of shelter, has evolved into a means of which to communicate and express the ever evolving necessities of contemporary society. The demands of the people coupled with the zeitgeist of the period, more often than not, precipitate a prevailing architectural style, one with which the architects of the period rally to. Two centuries apart, Étienne-Louis Boullée and Louis Kahn, through their tireless re-examination of the discipline, have established profound ideologies on the nature of architecture, which remarkably allude to common principles.
If the essence of architecture – its intrinsic and determining constituent – is empty space, every man has experienced an archetypal feeling when visiting the Pantheon. Confined in an immense space, we can never embrace its entirety. Ignorant but curious, we marvel at how such a great dome can stand. Questions whose answers lie in subtle ploys: secrets buried within the structure and the material.